Photograph by Jason Schmidt |
HAND IN HAND
Artist Rashaad Newsome explores the gestural compositions of hip-hop music videos and sets them to a brand-new beat.
Artist Rashaad Newsome explores the gestural compositions of hip-hop music videos and sets them to a brand-new beat.
"In this picture, I am testing the sound levels for my pieces in 'Greater New York' titled The Conductor (Fortuna Imperatrix Mundi) and The Conductor (Primo Vere, Omnia Sol Temperat). The videos are the first and second movements of a six-part video installation that sets Carl Orff’s Carmina Burana against a video montage of expressive hand gestures, extracted from popular rap videos, and a musical background of hip-hop beats. As Orff’s iconic oratorio opens with O Fortuna, a closely edited sequence of bejewelled gestures appears to conduct the music."
~Rashaad Newsome
In Newsome’s videos, collages, and performances, distinctions between and expectations about high and low culture are upended and reconfigured. Using what he calls “the equalizing force of sampling”—a process borrowed from hip-hop—Newsome adopts the role of composer in his work, appropriating and reframing imagery, sounds, and gestures from a variety of pop-cultural sources associated with predominately black subcultures, such as vogueing, so-called “ghetto” expressions, “bling” jewelry, and rap music videos.
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