CLIP ART: Kehinde Wiley / NYTimes / September 16, 2011

Clipped from the New York Times "Inside Art" column written by Carol Vogel.

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POSE: Kehinde Wiley / Flaunt Magazine / Issue 114

Kehinde Wiley's peacocky self-portrait staged for Flaunt magazine's "Peaches and Cream" issue. 

Click here to read article written by Maxwell Williams

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POST: Kehinde Wiley and Chuck Close Art "Added" to NYC Taxi's

Chuck Close and Kehinde Wiley collaborate With ShowMedia and Art Production Fund on Taxi Cab Adverts Through January

January 10th, 2011
Taxi photos by Michael Bucher

Chuck Close, mustache close-up of Lucas (1987-88), via ShowMedia

Throughout January, artwork by Chuck Close and Kehinde Wiley will travel New York City atop 500 taxi cabs, thanks to art enthusiast and ShowMedia president John Amato. With an estimated value of $100,000, Amato said, “I can do this as my annual holiday gift not just to myself, but to everyone who enjoys seeing the art as it travels around New York City’s streets.” ’Art Adds’ is the second annual collaboration between ShowMedia and the Art Production Fund, a campaign bringing art to the streets for all to enjoy. The inaugural year featured Alex Katz, Shirin Neshat, and Yoko Ono.

Kehinde Wiley, The Virgin Martyr St. Cecilia (2008), via ShowMedia

Though some critics are skeptical of the seemingly too-good-to-be-true advertising ploy—or lack thereof—Art Production Fund co-founder Doreen Remen states, “This is nothing against consumerism or companies, but this is a different kind of exchange. It’s about the intangible and having a conversation that isn’t about the physical world,” according to the Wall Street Journal.

Kehinde Wiley, Femme Piquee Par Un Serpent (2008), via Next.Liberation.Fr

As both artists are known for their large works, the relatively small advertisement space of a taxi cab offers an entirely new context in more ways than one. In dealing with this consideration, Wiley’s work has simply been scaled down, allowing for his racially and politically charged juxtapositions to still be taken in as a whole. The Virgin Martyr St. Cecilia (2008) and Femme Piquee Par Un Serpent (2008) are Wiley’s two pieces selected for the project.

Chuck Close, Lorna (2006), via Virginia Museum of Fine Arts

Close has chosen instead to crop small portions of his work for the cabs, decontexualizing Lucas Samaras’ mustache or Lorna Simpson’s eyes to an even further extent (Lucas (1987-88) and Lorna (2006) are Close’s two contributions). A recent appointee to President Obama’s Committee on the Arts and the Humanities, Close is an advocate of exploring new avenues for public art education and promotion.

Chuck Close, eyes close-up of Lorna (2006), via ShowMedia

-S. Sveen

http://artobserved.com/2011/01/art-news-new-york-chuck-close-and-kehinde-wiley-collaborate-with-showmedia-and-art-production-fund-on-taxi-cab-adverts-through-january/

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