Recent Comments

Popular Posts

Showing posts with label Mickalene Thomas. Show all posts
Showing posts with label Mickalene Thomas. Show all posts

EVENT: Conversations - Among Friends / The Museum of Modern Art / January 24, 2012

Written By UNDER MAINTENANCE on Wednesday, January 11, 2012 | 8:54 AM

THIS EVENT IS SOLD OUT.
PLEASE NOTE LOCATION CHANGE.

Conversations: Among Friends
Featuring artists Derrick Adams, Clifford Owens, Xaviera Simmons, and Mickalene Thomas

Introduction and Collectible essay by Christopher Y. Lew, Assistant Curator, MOMA PS1

Tuesday, January 24, 2012
7:00 pm program | 8:15 pm reception
Doors open at 6:45 pm


MUSEUM OF MODERN ART
Celeste Bartos Theater 3
4 West 54th Street

New York City, NY

Tickets ($35) may be purchased at The Museum information and film desks, online at MoMA.org or through The Friends of Education Office.


All tickets will be held at the door.


Presented by the Friends as part of the series Conversations: Among Friends, this evening's program features a conversation between artists Derrick Adams, Clifford Owens, Xaviera Simmons, and Mickalene Thomas, with an introduction and Collectible essay by Christopher Y. Lew, Assistant Curator, MoMA PS1. Following the program, guests are invited to continue the conversation and meet the participants at an intimate reception catered by Fantasy Fare in The Agnes Gund Garden Lobby.

Read full program event in PDF format here



8:54 AM | 0 comments | Read More

LISTED: Black Artists make OUT in 2011

Written By UNDER MAINTENANCE on Wednesday, December 28, 2011 | 8:05 AM

Duane Cramer | Photographer & Activist

The 2011 OUT100
OUT | December 2011 - January 2012

PHOTOGRAPHS BY GAVIN BOND

Emerging and established black visual artists are among honorees of OUT magazine's men and women who made 2011 a year to remember. 

Mickalene Thomas | Artist

Paul Mpagi Sepuya | Artist

Julie Mehretu | Artist

Dee Rees | Screenwriter & Director

Pick up a copy of OUT magazine's OUT100 issue to see more photos and read complete stories.
Click here to view images and read online.



8:05 AM | 0 comments | Read More

AUCTION: Art, photo collection going up for bids after being seized from Birmingham attorney

Written By UNDER MAINTENANCE on Wednesday, November 9, 2011 | 7:47 AM

It's the real thing by Hank Willis Thomas is being auctioned November 16th by the IRS in Birmingham, AL.

IRS to auction off art, photo collection seized from Birmingham attorney
Text: Stan Diel | Birmingham News
Published: November 1, 2011

BIRMINGHAM, Alabama -- A large collection of photographs and paintings, including many by emerging African-American artists, will be sold at an IRS auction later this month after being seized from a prominent Birmingham attorney to settle a tax debt.

The collection of about 250 paintings and photographs by artists including William Eggleston and Mickalene Thomas has been appraised at more than $500,000 and was seized by the IRS from Russell J. Drake, of the Birmingham firm Whatley Drake & Kallas.

Drake, in an interview Monday, said art is his passion, particularly the work of emerging young African-American artists, and he's saddened to see the collection go.

"I regret that I'm in this position," he said. "The recession had a devastating effect on me. It was sort of a perfect storm for a lot of lawyers."

According to documents on file in Jefferson County Probate Court, the IRS filed two liens against Drake totaling about $497,000. He said that's "an old number," and is no longer representative of what he owes the IRS.

Regardless, the collection could raise a substantial amount, said Roberta Colee, the IRS liquidation specialist handling the sale. About 50 different artists and photographers are represented, including Kerry James Marshall, Raymond Pettibon and Mark Flood.

Marshall, a Birmingham native who grew up in South Central Los Angeles, was featured on the PBS program "Art 21" and is known for paintings and sculpture that pay tribute to the civil rights struggle. New York artist Mickalene Thomas is famous for her enamel and sequined paintings of women, which the New York Times called "as impenetrable as they are spectacular."

One of her works, a painting of a topless prostitute titled "She works hard for the money," was pulled from the sale after it was judged too provocative by the IRS. At least two other of her works remain in the auction.

To casual observers, though, the photographer Hank Willis Thomas may be the most recognizable. The collection includes at least two photos by Thomas, who is perhaps best known for his "Priceless #1," a satirical take on the "priceless" Mastercard commercials that makes a powerful statement about inner-city violence.

The piece includes text placed over a photo of a grieving African-American family. It says "3-piece suit: $250; new socks: $2; 9mm pistol: $79; gold chain: $400; bullet: 60 cents ... Picking the perfect casket for your son: Priceless."

Thomas, a graduate of California College of Fine Arts' masters program and artist in residence at Johns Hopkins University, once lectured at the Birmingham Museum of Art.

The art may be sold individually or in the aggregate, with a minimum bid of $20,000, the IRS said in a prepared statement.

DETAILS 
What: IRS auction of about 250 paintings and photographs 
When: 9 a.m. Nov. 16. Registration and viewing begins at 8 a.m. The art also can be viewed Nov. 15 from 2 p.m. to 5 p.m. 
Where: Embassy Suites Hotel, 2300 Woodcrest Place, Birmingham, AL


© 2011 al.com. All rights reserved.
7:47 AM | 0 comments | Read More

NEW YORK: Mickalene Thomas / More Than Everything / Lehmann Maupin Gallery / September 15 - October 29, 2011

Written By UNDER MAINTENANCE on Thursday, September 1, 2011 | 10:38 AM




Mickalene Thomas, Tamika sur une chaise longue, 2008.
Linoleum, photograph, color-aide on wood panel. 6.5 x 8.25 inches.
MICKALENE THOMAS
More Than Everything
201 Chrystie Street
New York, NY 
September 15 – October 29, 2011 

In her second solo exhibition at Lehmann Maupin, titled More Than Everything, Mickalene Thomas presents a selection of works on paper in an intimate, salon style. Thomas has chosen this mode of presentation as an echo, not only of the early Modernist salons made famous by the likes of Gertrude Stein, but also as a reflection of the array of influences and sources that collect on her own studio walls. Seen together, these many pieces, including a series of new large-scale, Polaroid photographs, drawings, and an array of collages, help to reveal an aspect of Thomas’s work that encompasses the multiplicity of her artistic and studio practice. Although Thomas has noted that not every painting has a collage, every image starts with a photograph, staged in a wood-paneled corner of her studio, and which directly informs and often serves as the basis of her elaborate, rhinestone-clad paintings that explore notions of black female beauty and identity.

Thomas has said of her practice, “When I’m working with a historical image, I use photography as a way of capturing and reinterpreting the image. I take photographs and use them to create collages that further complicate my relationship with the historical source image.” In 2009, the Museum of Modern Art, New York, approached Mickalene Thomas to create a mural for its 53rd street window. For this commission, which she titled, “Le déjeuner sur l’herbe: Les Trois Femmes Noires,” Thomas photographed her models in the Abby Aldrich Rockefeller Sculpture Garden in a setting crafted to recall Edouard Manet’s iconic painting, “Le déjeuner sur l’herbe (1863).” Thomas’s reference to Manet and the inclusion of a Matisse sculpture as the fourth figure in the work serves as homage to the two artists, who along with Romare Bearden, for his collages and compositions, have highly influenced the artist’s work. 

Mickalene Thomas was born in Camden, NJ in 1971. Thomas earned a BFA in painting at Pratt Institute, Brooklyn, NY, in 2000 and a MFA at the Yale University School of Art, New Haven, CT, in 2002. In 2003, the artist participated in a residency at the Studio Museum in Harlem, NY. Thomas has exhibited extensively in both solo and group exhibitions including “Americans Now” at the National Portrait Gallery, Washington D.C. (2010), “The Global Africa Project” at the Museum of Arts and Design, New York, NY (2010), and “Mama Bush: One of a Kind Two” at the Hara Museum, Tokyo, Japan (2011). Forthcoming exhibitions include “30 Americans” at the Corcoran Gallery, Washington, D.C. (2011), “Origin of the Universe,” a solo exhibition at the Santa Monica Museum of Art, Santa Monica, CA (2012), and a solo exhibition at the Brooklyn Museum, Brooklyn, NY in 2012. Thomas’s work can be found in significant museum collections including the Museum of Modern Art, New York, NY, the Brooklyn Museum, Brooklyn, NY, the Solomon R. Guggenheim Museum, New York, NY, the Whitney Museum of American Art, New York, NY, the Nerman Museum of Contemporary Art, Overland Park, KS, the Rubell Collection, Miami, FL, and the American Art Museum, Smithsonian Institution, Washington, D.C. Mickalene Thomas lives and works in Brooklyn, NY.

10:38 AM | 0 comments | Read More

POSE: Black Americans (Pictorial) / CODE Magazine BV / Spring-Summer 2011

Written By UNDER MAINTENANCE on Monday, July 25, 2011 | 10:30 PM


André Singleton, Artist

Hank Willis Thomas, Artist

Mickalene Thomas, Artist


Amani Olu, Curator


Ouigi Theodore, Fashion Designer

F. Stokes, Rapper

Latoya Ruby Frazier, Photographer/Filmmaker

Sean Qualls, Artist

Naomi Beckwith, Curator


10:30 PM | 0 comments | Read More

COVER: Mickalene Thomas / Bomb / Number 116 / Summer 2011

Written By UNDER MAINTENANCE on Thursday, June 23, 2011 | 11:11 PM

Mickalene Thomas; Portrait of Madame Mama Bush 1 (2010);
Rhinestones, acrylic, and enamel on wood panel; 84 x 108 inches.
Copyright Mickalene Thomas.
MICKALENE THOMAS INTERVIEW BY SEAN LANDERS

BOMB excerpt:

SEAN LANDERS: What's not being said about your work that you think should be [talked] about?
MICKALENE THOMAS: The formal aspects of my work. That I'm looking at paintings, that I'm thinking about abstraction. No one talks about the work as paintings. For me, that's the missing discourse. The Le dejeuner [sur l'herbe: Les Trois Femmes Noires] painting that I did at MoMA is not just Manet or Matisse. I was looking at constructivism and thinking of ways to radically break up the picture plane. I was looking at Fernand Leger when I made that painting, and Romare Bearden. I was considering all those components, finding a way to make them my own. So all of those elements are in there but no one talks about what's really constructed and how I'm looking at painting.
SL: Why do you think that is?
MT: It could be that the materials I use are too seductive and all-consuming, but that's a part of the concept. People get so caught up with the rhinestones. The rhinestones are really just one part of the work among many. They are a way of masking things and they refer to the idea of artifice.
11:11 PM | 0 comments | Read More

POST: Mickalene Thomas / Beginnings / The Sundance Channel

Written By UNDER MAINTENANCE on Wednesday, February 9, 2011 | 9:01 AM

In October 2010 the Sundance Channel ran "Beginnings"a series of short films celebrating seven creative individuals and their early inspirations in New York City. Subjects of the films include artist Mickalene Thomas, fashion designer Carolina Herrera, photographer Mario Sorrenti, dancer/choreographer Carmen De Lavallade, and Yoko Ono. Each film runs 2 minutes, 30 seconds and is directed by Chiara Clemente.

9:01 AM | 0 comments | Read More

POSE: Mickalene Thomas / Marie Claire Italia / November 2010

Written By UNDER MAINTENANCE on Sunday, November 14, 2010 | 8:33 PM


Artist/photographer Mickalene Thomas discusses her personal style in "Target Women" a pictorial feature photographed by Koto Bolofo for the November 2010 issue of Marie Claire Italia.

8:33 PM | 0 comments | Read More