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Showing posts with label Art Collectors. Show all posts
Showing posts with label Art Collectors. Show all posts

MEDIA NEWS: Greenwich pair to donate major collection to Georgia Museum of Art

Written By UNDER MAINTENANCE on Saturday, January 7, 2012 | 5:14 AM

Art lovers Larry and Brenda Thompson have collected more than 600 works of art over the past 30-40 years.

Couple donates 100 works by Black artists
From: ctpost.com
Published: January 6, 2012


GREENWICH -- A Greenwich couple who amassed one of the nation's major private collections of African-American art is donating 100 works to the Georgia Museum of Art in Athens.

Larry and Brenda Thompson also will fund a new curatorial position at the museum, according to the Atlanta Journal-Constitution, which first reported the plans.

The couple's contributions are "transformative" for the official state art museum of Georgia, museum board Chairman Carl Mullis said.

"It is truly an amazing gift to the museum, to the University of Georgia and to all the people of Georgia," Mullis said.

The donations include pieces by Hale Woodruff, Beauford Delaney, Henry Ossawa Tanner, Wadsworth Jarrell and Radcliffe Bailey.

Larry Thompson, a former U.S. deputy attorney general based in Atlanta and retired general counsel and secretary for PepsiCo, lived in Georgia for 30 years. His wife is a retired Atlanta Public Schools clinical school psychologist. They have spent recent years living in Greenwich.

The Thompsons said they were both moved by a comment an African-American high school student made after viewing the nationally touring exhibit from their collection, "Tradition Redefined."

"They always told me that I could be whatever I wanted to be, that I could be an artist," the student wrote in the feedback book at the University of Maryland's David C. Driskell Center. "But no one ever told me I could create the kind of art I wanted to create."

The collection represented freedom to the student, Brenda Thompson said.

"We hope other students -- black, white or whatever -- will see the work and get that same feeling:, that you can't just typecast African-American art," she said.



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POST: Hot Black Artists, Hotter Scene at Art Basel / The Root

Written By UNDER MAINTENANCE on Tuesday, December 6, 2011 | 1:42 AM

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POSE: Maria Baibakova / Vogue / November 2011

Written By UNDER MAINTENANCE on Sunday, November 13, 2011 | 2:41 PM


MARKING HER MARK
TEXT BY DODIE KAZANJIAN
PHOTOGRAPH BY NORMAN JEAN ROY 

Art world Wonder Woman Maria Baibakova stands in front of a Basquiat painting for a photo published in the November 2011 issue of Vogue magazine.

The 26-year-old sophisticate is founder of Baibakova Art Projects (BAP) in Moscow.

Established in 2008, BAP is a private, non-profit institution that supports and sustains the development of emerging and experimental Russian artists worldwide.

BAP is currently expanding its focus on education with a new initiative that will bring together an international community of thinkers, writers and artists to reinvigorate the act of reading in the digital age.


Pick up a copy of Vogue's November issue to see more photos and to read the complete story.

Baibakova Art Projects Blog



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MEDIA NEWS: Russell Simmons's Art Foundation Marks 15 Years With a Portfolio From Kalup Linzy, Sanford Biggers, and Others

Written By UNDER MAINTENANCE on Wednesday, October 19, 2011 | 10:23 PM

Kenya (Robinson), Personage, 2011. Archival pigments on fine art rag paper. From the 15 x 15 Rush Portfolio. 

Russell Simmons's Art Foundation Marks 15 Years With A Portfolio From Kalup Linzy, Sanford Biggers, and Others

Text by Ann Binlot for ARTINFO.com
October 19, 2011

NEW YORK— Feeling a lack of resources in the art world for emerging artists of color, brothers Russell (the hip-hop mogul), Danny (an artist), and Joseph "Reverend Run" (of Run-DMC) Simmons founded Rush Philanthropic Arts Foundation in 1996. The foundation and its Chelsea space, Rush Arts Gallery, helped launch the careers of artists like Kalup Linzy, Kehinde Wiley, and Barron Claiborne, and his since expanded to help all emerging artists. It celebrates its 15th anniversary this year with a series of events and a limited-edition portfolio that can be purchased at Artspace.com.

"We wanted to commemorate the great work," Danny Simmons told ARTINFO. "A lot of people can't afford to buy original work but would love to have these artists in their collections. It helps support the gallery and it also helps support the artist."

The portfolio,"15 X 15," brought together 15 Rush alumni to create limited-edition 16 X 20 prints. Curator Ingrid LaFleur selected the 15 artists for the portfolio: Simone Leigh; Kalup Linzy; Ayana V. Jackson; Tahir Hemphill (whose work is in
MoMA's Talk to Me exhibition); Sol'Sax; Wangechi Mutu; Sanford Biggers (who currently has a show at the Brooklyn Museum); Navin June Norling; Diane Wah; Kenya (Robinson); Michael Paul Britto; Renee Cox; Barron Claiborne; Lennon Jno-Baptiste; and Angelbert Metoyer.

The foundation has selected its artists in different ways over the years, from recruiting at art schools, to making studio visits, to accepting submissions. But with the astounding response, now there is a panel of experts and curators (Rush also cultivates careers of burgeoning curators) who go through the artists' work.

"There are very few outlets that have really catered to the type of work that these young artists are doing," said Danny told us. "To have a venue like Rush gives them a home, a goal to shoot for, and it helps create a community of these artists where people can network, get together, and discuss ideas."

While Danny, who owns pieces by most of the Rush artists, personally felt that each of the artists Rush supported over the years was great, he had no idea how successful they would become. "Did I know that they were going to be picked up so widely by the mainstream art world?" Danny told ARTINFO. "No I didn't know that, but I hoped they would."


Click here to view portfolio and pricing information.
Brotherly love (left to right) Joseph (aka "Reverend Run"), Danny and Russell Simmons. © 2011 Patrick  McMullan Company
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POSE: Ellen DeGeneres and Portia de Rossi / Architectural Digest / November 2011

Written By UNDER MAINTENANCE on Monday, October 10, 2011 | 10:30 AM

Labor of Love
Architectural Digest - November 2011
TEXT BY PETER HALDEMAN
PHOTOGRAPHY BY ROGER DAVIES
PRODUCED BY CARLOS MOTA

Judging from the impressive layout of their Beverly Hills estate in the November 2011 issue of Architectural Digest, Portia de Rossi and Ellen DeGeneres don’t joke around when it comes to home décor or their art collection. The design-savvy couple cheerfully pose (above) in a sitting room off the kitchen where a large collaborative painting by Andy Warhol and Jean-Michel Basquiat hangs. To the left of the painting is a drawing by Bill Traylor. The magazine reports: “They both admire the work of Jean-Michel Basquiat, whose raw Neo-Expressionist  painting Untitled (Aopkhes) enlivens a corner of the living room.”
 
Pick up a copy of AD's November issue to see more photos and to read the complete story. In the meantime, click here for a sneak peek inside Ellen DeGeneres and Portia de Rossi's home.

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CHICAGO: Diasporal Rhythms Collectors Invitational Exhibition / October 7 - 8, 2011

Written By UNDER MAINTENANCE on Wednesday, October 5, 2011 | 8:24 AM

Our Artists, Our Members, Our Connections
October 7 & 8, 2011
ROOM 43 RESTAURANT
1041 East 43rd Street
Chicago, IL 

Art Connoisseurs Present Exhibition for Four Local Artists 

Diasporal Rhythms, an art collectors group whose mission is to promote and honor the careers of contemporary artists from the Africa Diaspora presents "Our Artists, Our Members, Our Connections" an exhibition of new works by four artists with a preview on October 7, 2011 at 7 p.m. and reception October 8, 2011 (also at 7 p.m.) at Room 43 Restaurant on the South Side of Chicago. 

The artists presenting work are: Dalton Brown, Theodore C. Feaster, Juarez Hawkins and Shyvette Williams. This event culminates a yearlong celebration of the artists and the promotion of their artistry, talent and expertise. 

"It's been an amazing year of events," said D. E. Simmons, a board member of Diasporal Rhythms. "The Art Smart Series, where the artists (in separate events) shared their concepts and perspectives to painting, sculpture and stain glass was received extremely well by the community. The culminating event is the event for all the artists to showcase new works. These artists are at the top of their game, we (Diasporal Rhythms) believe and respect them and we know others will too." 

Founded in 2003, Diasporal Rhythms is a community of art collectors who are dedicated to the advancement of African American culture through the promotion, collection and preservation of contemporary visual art produced by artists of the African Diaspora. With a special emphasis on collecting local living artists, the group selectively honors artists in Chicagoland who are expressing the myriad of voices in the black community through the visual arts. 

In return, the artists partners with the collectors to hosts a series of artists seminars, workshops and other educational activities to help promote the artists and further the organizations' mission. 

"It's outstanding to have an organization that is sincere and passionate about promoting the work of African/African American artists," said Juarez Hawkins. "The art world abounds with stories of mainstream artists whose careers were made by being in the right gallery, or knowing the right collectors and curators. It is time some of those right opportunities and connections open up for artists of color. Though still a grassroots organization, DR has gone a long way in bringing artists and patrons together." 

The exhibition is a part of Chicago Artists Month "Artful Networks."

Diasporal Rhythms: Collectors of Contemporary Works by Artists of African Descent, a 501(c) 3 not-for-profit organization whose mission is to promote the collection of visual art by individuals and institutions in the African American communities of Chicago through the sponsorship of activities honoring, celebrating, analyzing and presenting the works of those active contemporary artists of African descent recognized by our organization as being of quality, merit and cultural and artistic significance.



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CLIP ART: Swann Galleries Auction Ad for African-American Fine Art

Written By UNDER MAINTENANCE on Saturday, October 1, 2011 | 9:54 AM

This advertisement announcing the Swann Galleries October 6, 2011 auction of African American Fine Art was clipped from the September 30, 2011 edition of the New York Times. Works by Edward Bannister, Richmond Barthé, Romare Bearden, Robert Scott Duncanson, Louis Mailou Jones, Hale Woodruff and more are included in the public auction sale. 



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POSE: Quintin & Diane Primo / Art Collectors / Ebony Magazine / October 2011

Written By UNDER MAINTENANCE on Thursday, September 29, 2011 | 7:40 AM

QUINTIN & DIANE PRIMO PHOTOGRAPHED BY DUDLEY M. BROOKS

Information culled from the following article:
Soulful Collections 
Text by Tara Roberts and Tomika L. Anderson
Published in the October 2011 issue of Ebony magazine

Whether it's toys, clothing or cars, it's human nature to collect things that interest us. "Soulful Collections," a pictorial feature in the October 2011 issue of Ebony magazine, examines the "passionate pursuit of [personal] obsession." Included among the celebrities and business professionals are art collectors Quintin and Diane Primo. (Quintin E. Primo III is Chairman and Chief Executive Officer of Capri Capital Partners a multimillion-dollar global real estate investment and development firm. His wife Diane is the co-founder and co-chairman of IntraLink Global a marketing advisory firm.)

Works by Kara Walker, Whitfield Lovell, Jean-Michel Basquiat and Ed Clark are among the 30 pieces owned by the Primos (pictured above in front of a painting by Robert Colescott.) They collect art because they feel compelled to "support artists and institutions that enhance our lives and advance our culture," says Diane. 

Their advice to would-be collectors? "You cannot not afford to buy art, especially by Black artists," says Quintin. "There is an extraordinary opportunity for good prices and great value." Diane adds: "Buy a piece because you love it, and it speaks to you."

"Soulful Collections" also features Dr. Maya Angelou who collects "sculptures that reside in her outdoor sculpture garden."


The October 2011 issue of Ebony magazine is on newsstands now.


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AUCTION: Jennifer Aniston Sets Record Price for Glenn Ligon at Artists for Haiti Auction

Written By UNDER MAINTENANCE on Saturday, September 24, 2011 | 11:22 PM

Glenn Ligon, Stranger #44 (2011), oil, charcoal and graphite on canvas, 72 1/4 by 60 1/8 in.
Excerpted from:
Jennifer Aniston Sets Record Price for Glenn Ligon at $13.7 M Artists for Haiti Auction
Text by Dan Duray
Published September 22, 2011 on New York Observer web site 


Despite the massive hype leading up to the event, Ben Stiller and David Zwirner’s Artists For Haiti charity auction at Christie’s [held September 22, 2011] exceeded expectations with the 27 works offered selling for a collective $13.7 million, beating an earlier estimate of $10 million. Most pieces  exceeded high estimates, and four artists saw new record prices for their work at auction — Adel Abdessemed, Raymond Pettibon, Nate Lowman and Glenn Ligon, that last piece selling to Jennifer Aniston for $450,000. [Note: Chris Ofili's oil on canvas work Blue Smoke (Pipe Dreams) sold for $420,000.] The prices realized were all at hammer, as well, since Christie’s had waved its fees for the evening. 

At $450,000, Ms. Aniston beat Mr. Ligon’s previous record of $434,500, realized at Sotheby’s in September 2010.

Director and Chief Curator of the Studio Museum in Harlem, Thelma Golden 
and artist Glenn Ligon in front of Stranger #44. 
Photo by Michael Plunkett/PatrickMcMullan.com/Sipa.
Via Us magazine web site.

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LISTED: Noel Kirnon / Art Collector / Modern Painters / Summer 2011

Written By UNDER MAINTENANCE on Wednesday, August 24, 2011 | 8:00 AM




Noel Kirnon photographed by Jason River.
COMPILED BY ALEXANDER FORBES, JULIET HELMKE, AND ALANNA MARTINEZ

Noel Kirnon is listed among the "50 Under 50" art collectors in the Summer 2011 issue of Modern Painters magazine. It's the magazine's first celebration of young collectors worldwide. 

From Modern Painters:
Kirnon once earned a living as a "senior executive at a major financial institution," he says. "Now I'm an extremely busy person of leisure." A member of the photography committee at the Guggenheim Museum, he spends a good portion of that time amassing work by the likes of Leslie Hewitt, Kerry James Marshall, Vik Muniz, Sara Vanderbeek, David Wojnarowicz, and Lynette Yiadom-Boakye. He cops to a "fascination with trains and donuts," the second obsession evident in his purchase of a number of Kenny Scharf's "Donuts in Space" pieces. "I collect work which I have a strong reaction," he explains. "Editing and focusing are a constant and enjoyable struggle."
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POSE: Swizz Beatz / Paper Magazine / Summer 2011

Written By UNDER MAINTENANCE on Sunday, August 14, 2011 | 3:43 PM


ARTICLE BY JOZEN CUMMINGS | PHOTOGRAPHED BY DAN MONICK

Given the fact that most people have an emotional connection to their tattoos one has to assume that music producer Swizz Beatz's decision to have Keith Haring's "Flying Man" embellished on his left AND right front shoulders indicates a genuine passion for art. It does. Swizz Beatz is an earnest art collector (of primarily Pop Art, i.e., Andy Warhol, Keith Haring, Mr. Brainwash), devoted philanthropist, and serious art maker. His work is very derivative of the artists he collects but one hopes that as his art practice matures Swizz Beatz will find a visual voice as distinctive as the music he produces.

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POST: The 10 Craziest Things About the $900 Million Michael Jackson Art Feud / ARTINFO.com / July 8, 2011

Written By UNDER MAINTENANCE on Saturday, August 13, 2011 | 11:45 AM




Brett-Livingstone Strong's "The Book" 1990

TEXT BY ASHTON COOPER

Published: July 8, 2011
When the news broke recently that Michael Jackson had a $900 million art collection, most people probably had the same reaction: Michael Jackson had a $900 million art collection?! Furthermore, all but the most fanatical of Jackson fans were probably unaware that the late singer was himself a visual artist. (Though, to be honest, did anyone really know much of what he was up to behind the gates of his mansion/playground/amusement park/zoo?) Word of the collection, which contains many original works by the singer as well as valuable presidential memorabilia, came to light due to a legal feud surrounding the sale: At the request of his family, lawyers running the Jackson estate are attempting to block the $87.7 million sale of the art collection to an unnamed buyer by Jackson's former art mentor, who claims legal right to the trove.
 
Like most things surrounding the late music legend, the details are convoluted and crazy. Here, ARTINFO takes you step-by-step through everything you need to know about the Michael Jackson art collection dispute.

1. A MYSTERY INTERNATIONAL BUYER WANTS MJ'S ART
No matter how you cut it, the values being tossed around for Michael's art are huge. An unnamed international businessman has reportedly purchased the entirety of the 182-piece collection for $87.7 million. Is this credible? Yes. Back in 1990, "The Book" — reportedly the only portrait for which Jackson ever sat — sold for $2.1 million to Hiromichi Saeki Corp. Hiromichi Saeki was a Japanese merchandiser and concert promoter of Jackson's.
 
2. BUT HIS ART MAY BE WORTH A LOT MORE
It would seem that $87.7 million is no small chunk of change. But it dwarfs the amount that appraiser Eric Finzi, a member of the International Society of Appraisers, has said that the trove is actually worth (in an interview with Star Magazine, so caveat emptor): a staggering $902.5 million. What could justify the huge sum? "Michael's mystique in life combined with this exposure of his wonderful fine art creations following his tragic death will escalate the value of these works and the popularity of his artistic vision worldwide," Finzi said, adding, "I do not think we have begun to see the true value of this fine art yet."
 
3. MICHAEL HAD AN ART MENTOR
Australian artist Brett-Livingstone Strong, whom Jackson called a modern day Michelangelo, served as master to Michael's apprentice. Strong's artistic output includes creating a painting of the Sydney Opera House at the royal invitation of Queen Elizabeth II, carving John Wayne's face into a 116-ton rock that sold for $1.1 million and is now in the library of Lubbock Christian University in Lubbock, Texas, and sculpting a life-size bronze statue of John Lennon that was unveiled by Andy Warhol. Strong was commissioned by Chief Justice Warren Burger to create the National Monument to the U.S. Constitution and NASA's National Space Exploration Monument in the Smithsonian Air and Space Museum. Strong's misty and kitschy pseudo-Renaissance portrait of Jackson, "The Book" holds the record for highest price ever garnered by a living artist for the sale of a portrait. Strong also painted a Pre-Raphaelite-esque scene of Jackson in a lily pond surrounded by bare breasted water nymphs that takes directly from John William Waterhouse's 1896 painting "Hylas and the Water Nymphs." In Strong's version, the head nymph bears the likeness of Lisa-Marie Presley.
 
4. THE MENTOR INHERITED ALL OF MJ'S ART
Brett-Livingstone Strong is also the seller of the dubious collection. The art was given to Strong, apparently at the request of Jackson, by Jackson's final business manager Dr. Tohme Tohme — a Lebanese financier who rescued Neverland from foreclosure in 2008 and has never revealed any details of his life or career to the press. Tohme wrote in a letter dated November 2008 to Strong: "Michael wants you to know he is truly grateful for the loyalty you have shown him over the years, and he views this as a small token of appreciation for your continued friendship and artistic partnership."
 
5. THE BEQUEST IS IN QUESTION
There is some serious haziness concerning the validity of the document bequeathing the art to Strong, because allegedly neither Jackson's signature nor initials appear on. And somehow, it just doesn't seem like the word of Dr. Tohme Tohme should be legally binding.
 
6. THE FOUNDER OF CIRQUE DE SOLEIL MAKES A CAMEO
Though the identity of the collection's ultimate purchaser is unknown, two of the under bidders are known. Billionaire Guy Laliberté, who is the founder of Cirque du Soleil and a World Poker Tour participant. The other is Howard Mann, a Toronto gambling entrepreneur and business partner to Jackson's mother Katherine. Mann is also now a driving force in attempting to stop the sale. It would appear that he is a sore loser, though the Jackson camp is claiming that allowing Strong to sell the collection is cheating Jackson's children Prince, Paris, and Blanket out of their inheritance. Is it a coincidence that the only known bidders on the Jackson collection are high stakes gamblers? Probably not.
 
7. AS AN ARTIST, MJ WAS INSPIRED BY AMERICA
The King of Pop created a myriad of pieces inspired by the American presidency and other historical figures, including his first work entitled "We the People," a piece executed on presidential archival paper estimated to be worth $3 million; a sketch of "The White House Doors," also said to be worth $3 million; and sketches of Martin Luther King, Abraham Lincoln, and George Washington, suggested to be worth $8.1 million all together. Jackson also collected a U.S. Presidency Seal signed by Ronald Reagan and JFK's rocking chair, which was given to Jackson by, wait for it, Roy E. Disney.
 
8. JACKSON WAS ALSO A BURGEONING ARCHITECT
Also within the collection are elaborate designs of chairs, gates, sculptures, and doors that Jackson designed for Neverland Ranch. One such project Jackson titled "Peter Pan Magic Gate."
 
9. HE WAS ALSO REALLY INTO ART ABOUT HIMSELF
Perhaps unsurprisingly, one of Michael Jackson's favorite subjects was Michael Jackson. He created a self-portrait inscribed on a plaque that was intended to decorate the entrance to a Neverland theater. There are also sketches of his own feet doing the moonwalk that have been valued at $600,000, as well as signed sepia prints of his portrait "The Book."

10. MJ'S STUDIO IS ALSO OUT OF THIS WORLD
And where did MJ create all this art? At a secret airport hangar at Santa Monica Airport. He needed an entire hangar to draw sketches?!




Thirteen sketches drawn by the late singer Michael Jackson were donated to the Children's Hospital Los Angeles on August 8, 2011.  His children (daughter Paris and son Blanket, pictured) were on hand for the donation ceremony.(AFP/Getty Images, Valerie Macon)



Paris Jackson (left) listens as her aunt Latoya Jackson talks about her brother Michael Jackson's sketch of Mickey Mouse.

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MEDIA NEWS: Detroit Institute of Arts Names African American Gallery for Roy and Maureen Roberts

Written By UNDER MAINTENANCE on Monday, May 16, 2011 | 8:42 AM


Contemporary African American art gallery named 
in honor of gift to museum

May 4, 2011 (Detroit)—The Detroit Institute of Arts (DIA) has named a gallery of contemporary African American art after Maureen and Roy S. Roberts. Roy Roberts is a retired General Motors (GM) group vice president, and he and Maureen Roberts are well-known philanthropists in the areas of the arts, culture and education.

“We are delighted to name a gallery after Maureen and Roy, whose generous gift will help us continue to provide our community with imaginative, high-quality programs and exhibitions,” said Graham W. J. Beal, DIA director. “Their support affirms the role art plays in enhancing the quality of life and the named gallery is a wonderful legacy for their family.”

The DIA is the only encyclopedic fine arts museum in the world with a curatorial department devoted to African American art. The Maureen & Roy S. Roberts gallery is one in a suite that chronicles the development of modern and contemporary African American art, and features works by such prominent artists as Benny Andrews, Elizabeth Catlett, Sam Gilliam, Alvin Loving, William T. Williams, Joyce Scott, Richard Hunt and Charles McGee, among others.

The curatorial department, named the General Motors Center for African American art, was established in 2000 and Valerie Mercer, formerly senior curator at the Studio Museum in Harlem, was hired as its curator in 2001. The museum also features works by 19th-century African American artists in the American art wing, as well as African American works interspersed throughout the contemporary art galleries.

“Maureen and I have always loved the arts and realize the cultural importance of museums like the DIA, both to our community and for future generations,” said Roy Roberts. “We leave this legacy with our children, to whom we’ve instilled the values of education, working hard and giving back. We are happy to celebrate this milestone with them.”

The Roberts’ philanthropy extends to other cultural and educational organizations as well. They were major contributors to the Charles H. Wright Museum of African American History when that museum was fighting for its survival, and have given generously over the years to the United Negro College Fund, NAACP, Urban League and Western Michigan University (WMU), among many others.


For more than 20 years, Ms. Roberts’ career focused on nursing and health care. She studied at the former Mercy Central School of Nursing in Grand Rapids, Michigan and became a registered nurse. She subsequently earned a Bachelor of Arts in Education from Aquinas College in Grand Rapids, Michigan and a Master of Arts in Health Education and Occupational Education from University of Michigan. She was supervisor of Health Education and Health Services for the Grand Rapids Public School District, and was a coordinator in the Corneal Transplant Program for the Michigan Eye Bank.

Ms. Roberts served on the boards of St. Joseph Mercy Hospital and Visiting Nurses Association and was active on the DIA’s Volunteer Information Committee for several years. She was a co-chair for the museum’s annual gala fundraiser, Under the Stars.

Mr. Roberts is currently managing director and co-founding member of the successful private equity investment firm Reliant Equity Investors. However, for more than three decades, he was a trailblazer, leader and mentor of unrivaled distinction in the global automotive industry.

Mr. Roberts began his General Motors career in 1977 as a salaried employee-in-training at GM’s former Diesel Equipment Division in Grand Rapids, Michigan. After moving through various positions of increasing responsibility, in 1981 he became plant manager of GM’s Grand Rapids Plant #1. In 1983, he became the first African American plant manager of GM’s assembly facility in North Tarrytown, New York, a major milestone for GM, Roberts and African Americans. At Tarrytown, Mr. Roberts forged lasting mentoring and subordinate career-development techniques that were of particular help to people of color.

Mr. Roberts also “blazed the trail” for African Americans at GM by becoming the first African American vice president and corporate officer in charge of Personnel Administration and Development; general manager of Field Sales, Service and Parts; and group vice president, North American Vehicle Sales, Service and Marketing (NAVSSM).

Mr. Roberts left GM to become vice president for Truck Operations and chief operating officer at Navistar International Corporation, but was recruited back to GM as manufacturing manager for the Cadillac Motor Car Division. After two years, he was promoted to manufacturing manager for GM’s former Flint Automotive Division, and held that position until becoming vice president of the GMC Truck Division. At GMC, Roberts undertook the planning and oversight of the merger of GM’s Pontiac Division with the GMC-Truck Division, an arrangement that generated huge profits and great savings for General Motors and its dealers.

Mr. Roberts remained in the critically important position of group vice president of NAVSSM until he retired in 2000—after more than 23 years at GM, and nearly 40 years in the automotive industry. When asked to reflect on his groundbreaking career, Mr. Roberts noted in the Wall-Street Journal “… I’ve never had a job that I disliked. I’ve never had a job I did not grow from. It’s been a good journey.”

Among the numerous awards and recognition during his stellar career are: the American Success Award, presented by President George W. Bush in the Rose Garden at the White House; the Detroit Chapter of the American Jewish Communities “Human Relations Community Service Award”; named “Executive of the Year” by Black Enterprise magazine; named “Automotive Executive of the Year” byAfrican Americans on Wheels magazine; inducted into the Automotive Hall of Fame; and honored as a “Distinguished Warrior” by the Urban League of Detroit and Southeastern Michigan.

Mr. Roberts received a bachelor’s degree in Business Administration from Western Michigan University in Kalamazoo, Michigan and completed graduate work at WMU and Detroit’s Wayne State University. He completed the Executive Development Program at Harvard Graduate School of Business, and the General Motors Advanced International General Management Program in Switzerland. He has also been awarded a number of honorary doctorate degrees.

Mr. Roberts is trustee emeritus at WMU and was recently a board member of Burlington Northern Santa Fe Corporation, Abbott Laboratories, and Enova Systems Corporation. He recently served as president of the national board of the Boy Scouts of America and as chairman of a National Scout Jamboree. Roberts has been a board member of the Morehouse School of Medicine, president of the Grand Rapids NAACP, and on the national boards of the United Negro College Fund, The Aspen Institute and the National Urban League, where he chaired national conventions in San Diego and Atlanta.


The Detroit Institute of Arts (DIA), one of the premier art museums in the United States, is home to more than 60,000 works that comprise a multicultural survey of human creativity from ancient times through the 21st century. From the first van Gogh painting to enter a U.S. museum (Self-Portrait, 1887), to Diego Rivera's world-renowned Detroit Industry murals (1932–33), the DIA's collection is known for its quality, range, and depth. The DIA’s mission is to create opportunities for all visitors to find personal meaning in art.
Programs are made possible with support from the City of Detroit.
Contact: Pamela Marcil 313-833-7899 pmarcil@dia.org
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EVENT: The Gift Project Chicago / Center for the Study of Race, Politics and Culture / Chicago, IL / May 7, 2011

Written By UNDER MAINTENANCE on Friday, May 6, 2011 | 10:01 PM

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EXHIBIT: "Converging Voices, Transforming Dialogue: Selections from the Elliot and Kimberly Perry Collection" / Texas Southern University / Houston, TX / May 6 - August 21, 2011

Note: New image and links added to this blog on 05/24/11.

The Elliot and Kimberly Perry Collection of African American Art is one of the most prestigious and important contemporary art collections in the US. The former NBA player and his wife started collecting art in 1996 and have amassed an amazing mix of works by top-shelf modern and contemporary masters. The Houston showing of this collection will be the featured exhibition at the University Museum at Texas Southern University during the 2011 American Association of Museums Annual Meeting and Museum Expo.
Elliot and Kimberly Perry with Texas Southern University Professor of Law, Docia Rudley

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CHICAGO: Art Collector Dan Parker selling works from his collection April 29 - May 1, 2011

Written By UNDER MAINTENANCE on Friday, April 29, 2011 | 7:56 AM

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POST: Vivian Hewitt / Pittsburgh Post-Gazette / January 18, 2011

Written By UNDER MAINTENANCE on Sunday, February 6, 2011 | 9:01 AM

African-American art collector Vivian Hewitt recalls how works were found
Tuesday, January 18, 2011
 
Vivian Davidson Hewitt
Vivian Hewitt turns 91 on Feb. 17, but she seemed unfazed last week about leaving her Upper West Side apartment in snow-buried New York City to travel here this week to talk about her lifelong passion.

Mrs. Hewitt, a New Castle native who was the first black librarian in Pittsburgh, went on to make a mark in the world of African-American art with her late husband, John.

Through their travels, family connections and friends in New York, they amassed one of the most renowned collections of African-American art, which today serves as the cornerstone of the Harvey B. Gantt Center for African-American Arts+Culture in Charlotte, N.C.

But she's coming here to talk about the 40 pieces of original Haitian and other African-American art they donated over the years to Geneva College, her alma mater.

Formerly scattered across the Beaver Falls campus in McCartney Library, Alexander Hall, and various faculty and staff offices, the pieces will be on display together in the upper level of the Student Center in Skye Lounge.

The art collection happened by chance, she said last week. She met her husband when she was a librarian and instructor at Atlanta University (now Clark Atlanta University), and he was an English teacher at nearby Morehouse College. They married in 1949, and looking for ways to decorate their faculty suite, they picked up a print at a New York City museum during their honeymoon there.

They soon started purchasing original Haitian art, traveling to the Caribbean country from 1960 to 1965, as well as works by black and folk artists in Mexico and other places. Although both drew modest salaries, they made a point in giving each other original art on every gift-giving occasion.

When they moved to New York City in 1952, they visited galleries and shows and were introduced in the waning days of the Harlem renaissance to the Market Place Gallery, which was operated by Mr. Hewitt's sister, Adele Glasgow. There they became friends with black artists and began collecting work that hadn't yet hit the mainstream.

"We started investing in our own heritage and culture," said Mrs. Hewitt. "Their work was affordable then," she said of the black artists.

Among the pieces in their collection at the North Carolina center are works by Romare Bearden, Henry Ossawa Tanner, Elizabeth Catlett, Jonathan Green, Jacob Lawrence, Ann Tanksley, Hale Woodruff and Margaret Burroughs.

Mrs. Hewitt says an article in The New York Times in the early 1970s put a spotlight on the emerging prominence of African-American art, which was beginning to be purchased by white collectors.

"In essence it said that African-American art was here to stay, and [collectors] better get on the bandwagon," she said last week. "It was a turning point for people recognizing the importance of African-American artists. Because of racism and the tenor of the times, this is what happened to exist."

In 1998, Bank of America acquired the John and Vivian Hewitt Collection of African-American Art. The exhibit toured the United States for 10 years during construction of the $18 million Gantt center in North Carolina that became its permanent home in 2009. Mrs. Hewitt, in her late 70s and 80s by this time, visited the 25 to 30 cities on the tour. Her husband died in 2000.

Earlier in her life, of course, Mrs. Hewitt was a pioneer in Pittsburgh. She earned a bachelor's degree from Geneva in 1943 and a master's in library science from the Carnegie Tech Library School (later folded into the University of Pittsburgh). She was the first black librarian hired by Carnegie Library and worked at the Hill District and Homewood branches before moving to Atlanta.

She's particularly proud of the couple's contributions in bringing awareness to black artists.
Today, she said "there are fine African-American artists in every region of the United States."

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