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Showing posts with label Nick Cave. Show all posts
Showing posts with label Nick Cave. Show all posts

CLIP ART: Nick Cave / CS (Chicago Social) / December 2011

Written By UNDER MAINTENANCE on Wednesday, December 21, 2011 | 4:47 AM



NICK CAVE PORTRAIT BY MAIA HARMS

Clipping of Nick Cave being hailed as "Artist of the Year" from CS (Chicago Social) magazine's Arts and Culture issue. 



Pick up a copy of CS magazine's December 2011 issue to see more photos 
and read the complete story. 



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POST: Nick Cave / Vogue.it / September 22, 2011

Written By UNDER MAINTENANCE on Tuesday, October 4, 2011 | 7:08 AM

"I'm interested in designers who cross over into exhibitions and museums. It's not that they're creating collections, but they're creating installations."

The Black Blog: Nick Cave
Text by Kenya Luna
Published 09/22/11 by Italian Vogue (Vogue.it)

It’s more than a little serendipitous that Nick Cave’s hotly anticipated double show at the marquee galleries Mary Boone and Jack Shainman would coincide with the New York ready-to-wear shows. After all, art and fashion have long intertwined in his work, much like what is happening in Chelsea (home to many of New York’s galleries and catwalks) this week. "It’s interesting, because all of these fashion shows are taking place in these empty gallery spaces nearby. So there is this cross-section happening that is really interesting to me," he says. We discuss.

The double show seems to be a popular phenomenon right now. Both Kara Walker and The Chapman Brothers recently had them in New York and London respectively. Would you say that this is becoming a trend?

"I think it’s interesting. We’re just looking at a different kind of time right now. What’s intriguing is that you’re seeing how an artist can bring a different point of view in two different bodies of work. It can draw a tension. You’re starting to see that everyone is trying to reinvent themselves. Galleries are thinking, “What can we do to bring attention to our season?”

Was the synergy of your shows with New York Fashion Week intentional? Your work has always intersected with fashion.

"I really wasn’t aware that it was going to be the kick off of Fashion Week. It was just a nice thing that it was.  Because I think my work blends these two worlds. It was interesting for me, teaching fashion at The School of the Art Institute of Chicago, showing two sides of what feeds my work. So for me to be able to connect with the fashion world, to be able to have that world of designers bring their friends to see my show, is good. Hopefully I’m providing insight that will motivate everyone."

Which designers have inspired your work the most?

"I’m interested in the ones who cross over into exhibitions and museums. It’s not that they’re creating collections, but creating installations. People like, say, Yohji Yamamoto, Issey Miyake and Alexander McQueen. Where it isn’t just about fashion, but setting the stage, a performance. Eventually I want to transition to a place where my work is going to be about full-blown performance."

Your show, For Now, at Mary Boone has a different character from Ever After at Jack Shainman. How did you approach each body of work?

"In the studio, the work was developed all at the same time. But I wanted both shows to have a different type of vibe or a different experience. Jack’s show, Forever After, was in memory of my friend [the curator] Matthew Mascotte, who passed on. The title means I will love you forever after. It was my speaking about loss and that sort of transitioning. And then it was also my trying to figure out how to strip myself down to the core. So I used one material, I wanted it to be as minimal as I possibly could get it. I wanted to have this clarity that was peaceful and quiet. And with Mary’s show, I wanted to invite you to the playground. It’s about this abundance, this excess and this sort of extreme way of building a work of art. It’s fun and whimsical and opulent and extreme."

It’s funny that you mention that because there is a return to opulence happening in fashion right now for fall.

"Exactly, it’s nice to see how these worlds intersect, to see these fashion people wandering into the galleries after a fashion show is nice. We’re sharing similar experiences — the same worlds — at the same time. There is an exchange happening."

How much does your work comment on race?

"I would say fifty percent, for sure. I figure the black artist, or the black male artist, has so much amazing fuel to consider. The culture is so rich. It’s a critical component in my work. For instance, with Jack’s show there is a piece shaped like a tuba, but the sound is blocked. That came from being in Chicago and seeing these views in terms of crime and the loss of our children and violence. People are dying, but no one is listening. And I was thinking about New Orleans. How, when you lose someone, there is this procession moving through the streets.  But I’m not direct with [the race references]. I don’t want to just be blatant and in your face with it. I try to find a universal connection."



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POST: Seeing Double: Nick Cave / InterviewMagazine.com / September 2, 2011

Written By UNDER MAINTENANCE on Tuesday, September 6, 2011 | 8:52 AM

Nick Cave, Soundsuit, detail, 2011
buttons, wire, bugle beads, basket, upholstery, and mannequin
96 x 36 x 24 inches
NC11.005
By Yasha Wallin for Interviewmagazine.com
In a perfect world, human beings would be able to transcend race, class and gender. In the meantime, Chicago-based artist Nick Cave has set out to achieve this through his art, by dedicating his oeuvre to “Soundsuits,” colorful, life-size sculptures and wearable performance pieces, which are “second skin” costumes. Two simultaneous shows, “For Now” at Mary Boone and “Ever After” at Jack Shainman, are opening to coincide with Fashion Week, and Cave will present 50 new suits, made of buttons, feathers, wire, upholstery, and even human hair.
While the exhibitions, which took eight months and 25 assistants to complete, aren’t necessarily dependent on each other, Cave tells Interview they are connected. “Ever After” is in memory of the artist’s friend [curator and artist] Matthew Mascotte, “and is coming from a more internal place.” The palette is black and white, and suits are made from shell buttons. “It’s extremely minimal and somewhat somber.” And “For Now” is, in the artist’s words “loud, sort of extreme, fantastic, and about inviting [you] to come and play on the playground. It’s fun, it’s whimsical, it’s in your face, it’s political, and it’s emotional. And I think [these two shows demonstrate] this balance in one’s own identity.”
Cave, who has a background in modern dance and studied textiles and sculpture, merged these disciplines when the “Soundsuits” were conceived in 1992 as a reaction to the Rodney King beatings. The artist explains, “They described [King] as larger than life, scary, and that it took ten policeman to bring him down. I started thinking what does that look like and how do I identify myself as a black male? I was thinking the moment I leave my studio my identity is in jeopardy.”
His first suit was made out of twigs. “What I was really creating was something to protect my identity, something to protect my spirit, and somehow it was seductive and you were curious about it.” Today, at their most vibrant, the suits evoke the disparate worlds of Dr. Seuss, tribal costumery, the natural environment, and the intricate craftsmanship of a couture designer.
Corresponding to the upcoming exhibitions, Cave teamed up with Artspace.com to launch two limited edition prints, photographs of work recently shown at San Francisco’s Yerba Buena Center for the Arts. “Ever After” opens at Jack Shainman Gallery on Sept. 8, 6-8 PM; “For Now” opens at Mary Boone Chelsea on Sept. 10, 6-8 PM. The Artspace.com prints will be released Sept. 6 at 12 PM for one week.




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NEW YORK: Nick Cave / Ever-After / Jack Shainman Gallery / For Now / Mary Boone Gallery / Sept 8 - Oct 8, 2011


NICK CAVE / EVER-AFTER / SEPTEMBER 8 - OCTOBER 8, 2011
In collaboration with Mary Boone Gallery



Opening reception for the artist at Jack Shainman Gallery: 
Thursday, Sept. 8, from 6-8 PM
Opening reception for the artist at Mary Boone Gallery, Chelsea:
Saturday, Sept. 10, from 5-7 PM

Jack Shainman Gallery is pleased to announce Ever-After, a solo exhibition of new work by Nick Cave. Cave will present a group of Soundsuits. This sculptural form based on the scale of the artist’s body is at the core of Caves practice. It camouflages the body, masking and creating a second skin that conceals race, gender, and class, forcing the viewer to look without judgment. However, Ever-After marks a noticeable shift in his approach. The Soundsuits will interact within subtly narrative tableaux. These figurative landscapes connect the viewer to a social consciousness, summoning the echoes and voices which Cave believes have been paralyzed to silence and subjected to unfair altercations in an often hostile society.

Mating Season is an encounter of white-haired, boyish bunny figures suggesting a sublime play of fornication, placed in multiple positions. Speak Louder comprises a group of figures that unite into one organism. Several of the figures gesture in a manner that reveals emotional references and together speaks of a multiplying figure that becomes an assemblage or a whole. The unifying surface of the piece is constructed from a surge of assorted black buttons. Each button offers the reflection of a memory, a thought, and the inheritance of personal identity. The accumulation of buttons invades a singular cloth producing a choir of voices. These tableaux will provoke new readings of Cave’s work, which in the past has been constructed around the individual figure. 

The cumulative effect will be a black and white interior psychological world probing consciousness, contemplation and deep exploration. There is an ephemeral quality that articulates both absence and a transcendent yet dependent spirit. Ultimately Cave strips down to the bare essence in this exhibition, turning his back on the noise as he chooses to walk into what he pictures as an abyss of serenity. This experience is inextricably linked to Caves concurrent solo exhibition at Mary Boone Gallery, which is an open playground of Soundsuits that celebrates exuberance, chaos, and color. The two exhibitions form one complete encounter. 

A solo traveling exhibition of Caves work entitled Meet Me at the Center of the Earth was organized by Yerba Buena Art Center, San Francisco, and was recently on view at the Seattle Art Museum. A major presentation of Caves work will be on view at the Tri Postal, Lille, France, in Fall 2012. 

Cave has recently been included in group exhibitions at institutions including the Museum of Contemporary Art, Chicago, 2011; Göteborgs Konsthall, Sweden, 2010; and Kunstmuseum Wolfsburg, Germany, 2011. He is also included in 30 Americans: Rubell Family Collection, which opens in October 2011 at the Corcoran Art Gallery in Washington, DC, and will be included in the Prospect.2 Biennial, taking place throughout New Orleans in Fall 2011. 

Public collections include the Brooklyn Museum, New York; Crystal Bridges, Bentonville; the Detroit Institute of Arts, Detroit; the High Museum, Atlanta; the Hirshhorn Museum and Sculpture Garden, Washington, DC; the Museum of Art and Design, New York; the Museum of Contemporary Art, Chicago; the Norton Museum of Art, West Palm Beach; the San Francisco Museum of Modern Art, San Francisco; and the Seattle Art Museum, Seattle; among others. 

Cave has received several prestigious awards including: the Joan Mitchell Foundation Award (2008), Artadia Award (2006), the Joyce Award (2006), Creative Capital Grants (2002, 2004 and 2005), and the Louis Comfort Tiffany Foundation Award (2001). Cave, who received his MFA at the Cranbrook Academy of Art, is Professor and Chairman of the Fashion Department at the School of the Art Institute of Chicago.

Gallery hours are Tuesday through Saturday from 10 am to 6 pm. 
For additional information please contact Elisabeth Sann at Elisabeth@jackshainman.com
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CHICAGO: Nick Cave's SoundSuitShop.com / Body Implement / November 18 - 21, 2010

Written By UNDER MAINTENANCE on Wednesday, November 10, 2010 | 2:39 PM

Please join Nick Cave and Bob Faust of Soundsuitshop.com as they kick off the holiday shopping season with Body Implement, a curated designer showcase of accessories for the body featuring jewelry, scarves, bags, gloves, wraps and other great gifts.

Opening Night: 
Thursday, November 18, 2010, from 4 - 9pm


Show Open to the Public: 
Friday, November 19 - 21, 2010, from 10am - 5pm


Featured Designers:
Alice Berry Studio
Gillion Carrara
Jack Cave
Nick Cave
Creatures of the Wind
Abigail Glaum-Lathbury
Anke Loh
Kristin Mariani
Anne Novotny
Katrin Schnabl
Tommy Walton


Gift wrapping in Soundsuitshop.com wrapping papers will also be available.


Location:
Soundsuitshop.com Project Space
110 East 23rd Street at Michigan Avenue
Chicago, IL
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